Promote the benevolence of academic research and establish the style of the generation of scholars. Today I will introduce to you the story of Mr. Zheng Qia, a well-known local wise man in Haojiang, who devoted his life to protecting and inheriting the Chaoyue culture.
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▲Mr. Zheng Qia
未分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类分类� The song “Remembering the Old Friend” is lightly wiped out. Myanmar’s ancestors, every time I whisper, tears are touched. I vaguely peek at the shadows, and I can’t find the sky when I see it. In the autumn night, I am playing the piano and remembering my grandfather, Grandfather Qiao Gong’s voice and appearance are still there, and tears wet my clothes. The poem is here – “Telling Hearts” to express my grief…
My grandfather Zheng Qiao, originally from Mukeng Palace in Miancheng, Chaoyang, was a wise man and famous teacher in the Chaoshan music industry. Good at temple painting and exquisite academic figures. What I learned throughout my life is profound and profound, and I especially value Confucianism and joy in educating people. He is committed to the inheritance of traditional culture and traditional music and is the founder of the dissemination and development of Chaoyang Ditao Music in Haojiang. My grandfather lost his father at a young age and was able to sell fried dough sticks at Chaoyang Tower at the age of eight. However, he is eager to study and lingers in the academies and bookshelf all day long. I got the mercy of the old man in the private school and allowed him to study for free. He is also smart and always stays in temples and music halls, and is fascinated by calligraphy, painting and music art. At the age of twelve, he studied under Mr. Chen Wulu, a famous chauvinist of the “Yangchun Garden” Leshe in Chaoyang. He was highly valued and accepted as a disciple of the family, teaching Chaoyang flute sets ancient music and string poetry music. After obtaining his true teachings, he is especially good at drums and flutes. During the Anti-Japanese War, Chaoyang’s “Yangchun Garden” Leshe stopped all drills, and his grandfather moved to Dahao. Dahao was always the capital of Chaoyang County recruitment. Guangxu (Chaoyang County Chronicles) recorded: “There are many people in the area, including reciting strings and poetry and books.” After settling down, he met local celebrities such as Wu Xuehong, Zheng Jieru, Zheng Fuxuan, Lin Zhonghong, Li Yongzhi, and fellow music clubs such as Zheng Senyao and Yao Biaoqing. He deeply felt that Dahao’s humanities and history had a solid foundation. However, he felt very sorry that there were few people who dabbled in Chaoyang Di Fu’s ancient music in this place, and thus he had the idea of spreading and carrying forward it. Therefore, we entertain ourselves first and then attract enthusiasts to observe and learn. By the 1950s, there were more than 40 enthusiasts such as Wu Guozhe, Cai Zhaowu, Li Qinru, Wu Tongguang, and Yang Dan, who practiced Chaoyang flute set music and Chaozhou silk string music in batches. In the 1960s, there were hundreds of scholars. There were Zheng Yujie, Huang Tingke, Wu Muqing, Huang Tengsen, Wan Mianshui, etc., who either made a living for learning art or became a disciple for learning art due to their interests and hobbies. As the number of disciples and disciples followed one after another, every day I thought of ChangxuanBabaylan and the development of Chaoyang Flute Music. The venue has been established, the rules must be determined, the Tao must be strict, and the teacher must be respectful. Whenever the apprentice starts and stops every day, students must bow their hands in front of the pavilion and must not be disrespectful. At that time, they will continue to accept disciples, unpack and add musical instruments, and teach free flute gongs and drums, flute gongs and drums, palace music, temple music, string poetry music, Chaozhou gongs and drums and other skills. Flute music is also divided into “Flute gongs and drums” and “Flute gongs and drums”. Flute gongs and drums originated from the palace music of the Tang and Song dynasties, and is the flow of ancient music into the tide<a The accumulation of KomiksYang is integrated and evolved with local music. It is also played with special Chaoyang accents, so it forms a deep, heavy, solemn, elegant and unique rhythm. “Flute Ancient Music” belongs to the Confucian Temple School, mainly composed of sheng, flute, pipe and flute. CinemaFlute is led by the music, accompanied by CinemaFlute is the musical instrument, accompanied by CinemaFlute is the musical instrument, and is also played by KomiksSanxian, pipa, zheng, moon qin, Qin qin and ancient string music, accompanied by small eight-tone performances such as bell, qing, wood fish, Jie cymbals, zhe drums, sumuban, five-tone gong, and ringing. It retains more the simplicity, solemnity and elegance of the palace music. The performance style is harmonious, square and graceful. The main repertoire are “Four Scenerys” and “Big Light Tower”. “Flute Set Gong and Drum Music” belongs to “Flute Set Gong and Drum Music” In addition to retaining the tone and set structure of traditional ancient music, folk schools are equipped with the Jiangsu gongs and drums of the Chaozhou gongs and drums percussion instruments, forming the open, bright, fresh and elegant “flutessu gongs and drums” that are lively, light and joyful and jumping “flutessu gongs and drums” and the high-pitched, passionate, vigorous and enthusiastic “flutessu gongs and drums”. Their categories are mainly distinguished from the supporting use of light and heavy musical instruments. At the same time, the second-class flutes music combines the unique charm of Chaoyang dialect with low pronunciation and powerful Dantian.
▲The traditional music score “Mingshi Score” handwritten by Mr. Zheng Qia
“The ancient music of flute is Confucianism!” grandfather often said. The performance should be elegant and humble, and the dignified manner is especially correct. The drummer method is to “not look up at the face, and the hammer is not inferior to the eyebrows”. The flute set is the main instrument of the ancient music “Hori Flute”, and its unique blowing technique “Dragon Head and Phoenix Tail Finger” is the only way to blow fingering. From the podium, style and even the supporting program, it is necessary to use the hard and soft set of string orchestration according to the traditional repertoire to inherit the ancient music of the flute set and the thousand-year-old charm and elegant style. The second string music performance of Chaozhou string poetry music is the lead instrument of Chaozhou music. It is a unique ancient instrument of Chaoshan, also known as “head and hand string”. It should be remembered that the handle is the most important thing to pay attention to “steady and arch, and demeanor is the key.” The performance should be solid and the bow is solid and the fingers are strong and soft, strong but not noise, and weak but not weak. In the use of sentence patterns, we must make both gorgeous sentences, but also moderately and formal, fully reflecting the rigid, flexible, steady and elegant playing style and performance characteristics.
At that time, no matter how severe cold and heat, no matter how sunny or rainy, the old tiger house built by my grandfather, from morning to evening, sang and played gongs and drums. Or sit around three or five, beat Cinema‘s palms and sing the string poem set with the traditional song “Kongchi Tu” to sing and read the string poem set, or play the flute in pairs, practice the big gongs and drums in the afternoon, and even the string ensemble in the evening, without interruption. At six o’clock in the morning, the disciples living in the music hall must get up on time. After washing, they either eat soy milk, fried dough sticks, or drink the five-nut noodle soup made by my grandfather, and then stand in pairs in pairs in the door yard and practice playing the flute in turn. It is called the “‘Yao’ string full flute”! Before practicing flute, you must not be empty-handed, and the alchemy energy is insufficient and the air is not smooth. My grandfather sat upright on the side of the big eight immortal table in the middle of the hall, slapped with a drum board, half-closed his eyes, and carefully observed whether the luck and exhalation were smooth and correct when listening to the flute. Following the traditional fingering method, rigorously and standardize the playing techniques with the starting sentence “picking, patting, covering, and wiping” as the rhyme, and the sentences are clear and complete. The performance exercises of each piece of music must be sung with the traditional music score “Kongzi Score” until it is familiar and smooth before it can be practiced in solo and ensemble.
▲The disciples participated in the 1984 “Shantou Island Summer Concert” performance of the flute and gong Su Gong “Autumn Night in Fishing Island”. Si Gu: Wu Shunxi
My grandfather taught the students and taught them without any distinction. He taught according to his aptitude and had solemn rules. After learning the flute playing technique, his disciple Wu Shunyi continued to practice the yangqin. Babaylan‘s grandfather Juele Hall OriginalThe butterfly piano was no longer suitable for its synchronous practice, so I asked a friend to buy a three-stair yangqin from Beijing to continue the disciples’ ability to practice the artifacts as they can. Later, Wu Shunyi and his eight-year-old younger brother Wu Shunxi learned his skills. His grandfather first tried to use various plucking instruments and percussion instruments to see his character. After careful examination of the interview, I realized that his nature is smart, has a superb musical feeling, and is quick to do it. This is a material that can be made of Chaomu Drums. Therefore, he strictly defined the framework: learning drum art requires the flute to be enlightened from the main instrument of flute music, and then proficient in other plucking instruments. This is to lay the foundation of its music and help it understand its musical connotation. Through learning different instruments, master the musical expression forms and characteristics of each instrument, understand the complementary contrast of each instrument’s expression forms, and give full play to the commanding role of drums during the performance. After learning the art for several years, he received careful guidance from his grandfather. The brothers Wu Shunyi and Wu Shunxi, who are quite talented in music, have already obtained their true teachings and superb skills. I remember an older brother who walked to the music hall in the evening about a hundred meters away. He heard the loud, exciting, melodious, but simple and quiet sound of flutes from afar, which was very pleasant! However, I was very surprised that there was such a big sound in the solo of the flute? After careful analysis, it was not like playing the double flute. In a while, he was puzzled, and walked slowly to the entrance of the music hall, and stopped in shock: Wu Shunyi and Wu Shunxi were standing in front of the hall, playing the flute music “Happy Lantern Tower” in conjunction with the flute. Even though he clapped his hands and sighed: The sound of nature is a wonderful combination! Although my grandfather was always so powerful that he was not angry, he was occasionally angry! I remember that it was one night when I was fifteen years old, and my senior brothers still arrived at the Babaylan Pavilion one after another. The first ones came were my honest and honest uncle, thirty years older than me, and my “head-hand-string” was pulled and like I was dozing off, as well as my junior brother Wu Shunxi, whom I called “happy fool”. As usual, my brother debugged the flute, and the uncle trained his second strings, Wu Shunxi took out the coconut hu, and at the same time I also adjusted the yangqin, and a string poem “Crown Playing in the Water” began the ensemble. My grandfather was still sitting on the side of his big eight immortal table, playing the suma board while controlling the slow rhythm with his belt. My grandfather often said, “It is difficult to have a string music, although it is not easy to have a slow music, and it is difficult to have a slow music. The difficulty lies in ‘fast but not messy, slow but constant’!” After two rounds, my grandfather’s drums were closed and the second round was turned and continued. At this moment, my mind was distracted, and the connection was incorrect. With a angrily shout, the small drum in my grandfather’s hand flew straight towards the direction where I was sitting. The little Lebi Wu Shunxi was so scared that he hugged the coconut beard in his hand and hid far away. And I was so shocked that I held the pair of piano chopsticks in my hand tightly and kept wiping my tears. But my uncle was already very awake at this time. He was standing beside his grandfather, lowering his voice and cautiously, “Sir, don’t be angry, don’t be angry,” and constantly persuading him. Finally, fortunately, my mother, who heard the sound, rushed out, and my grandfather gradually calmed down. Since then, we will learn tohref=”https://comicmov.com/”>Cinema dare not be slackened or inattentive! Of course, for those apprentices who are good at taking action or are diligent and studious, their grandfather will also commend them very much. Any specialty cakes, snacks and other items given by friends will be given priority to sharers, and some will be awarded the honor of accompanying their grandfather to go out to do business and visit friends, and some will be regarded as the most treasure by the instruments given by their grandfather!
However, my grandfather was the twelfth disciple of Mr. Huang Xingtai, a master of Chaoshan astrology and geomantics. He was well versed in the academic numbers of star fate, Qimen, geomantics, and auspiciousness. As early as the age of eighteen, my grandfather had studied traditional flute music, and had already dabbled in many ways. During this period, he was appreciated by Mr. Chen Bingji, a folk painter in Guiyu, and was taught fine brushwork lacquer paintings and temple paintings. After finishing the class, he was particularly famous for his “door god’s inverted painting” (that is, the door god’s strokes start from the soles of the feet to the crown of the head). At the same time, due to his painting skills, Mr. Huang Xingtai, a master of Chaoshan Astrology and Constellation, was highly valued by Mr. Huang Xingtai, and was admitted as a disciple of the family, teaching meritocratic academic mathematics and astronomy and calendar. After several years of becoming a teacher, the students have studied the subjects that their grandfather have worked hard for their entire life, and they always find the essence and feel happy! Therefore, every day, there are endless people visiting and discussing skills, taking children to learn calligraphy and painting art, or asking questions and answering doubts. In the front hall and backyard of Yangchun Garden Music Hall, all disciples follow the teaching rules, learn skills, and be harmonious with static and dynamics. The disciples in the Music Hall are nearly 60 years old. My grandfather precepts: No high or low learning, no long or short learning, there are orders of knowledge, and specialized skills in skills. A wise man should not “use his or her talents to judge his or her generation” or “use his or her skills to deceive him or her.” When learning art, you must first establish quality, know etiquette and righteousness, and be humble. Be kind to others is the foundation of being human, and being harmonious is the way of living in the world. Only by being united and one’s heart and virtue can one make what one learns profound and profound.
▲A disciple of the disciple participated in the 1984 Shantou Island Summer Concert to perform the flute-set palace music “The Great Golden Lion” Si Gu: Zheng Shufang
In addition to his studies, he got along with his friends. Mr. Yang Guangquan of Shantou Opera School has repeatedly discussed skills with his grandfather, and had a great conversation with each other. He worked together to inherit and develop excellent traditional music culture and always became a consensus on each other’s interviews. While passing on his skills, he did not forget to collect and organize the folk information of Chaoyang Di sound set. Beginning in the 1960s, he participated in ChaoyangBabaylanFolk Music Research Group often travels to and from Chaoyang folk music clubs to collect, organize and edit folk music materials. In the 1980s, Mr. Zheng Zhiwei of Chaole Research Office also visited the music hall for several months. Chaole Research Office scholars Zhuang Lizhu, Cinema, Lin Shengmin and others also visited many times, and with the support and assistance of their grandfather, they discovered and sorted out folk information. Komiks proofreading scores, compiling music scores and gongs and drum scores for systematic collection and sorting. During this period, the music score was compiled by my grandfather and rehearsed by my disciples. I participated in the “Shantou Island Summer Concert” in 1984, and also participated in the new flute-style Su gong and drum “Autumn Night in Fishing Island”, which was highly praised by the industry. After watching the Chinese musicians Li Guyi and Jin Tielin, they were amazed at the ancient music of flutes. After the performance, various news media and Chinese meteorological singer Luo Tianchan invited each other to interview and report.
The teacher’s kindness is engraved for generations, and the ancestor’s virtue is for thousands of years! My grandfather’s enthusiasm and dedication to inheriting and promoting traditional music was not disappointed. The scene of teaching and educating people through my whole life is still vivid in my mind! The “Three Treasures of Folk Art Series of Chaoyang” praised it: “Accumulating virtue and admiring goodness, teaching art and teaching people, and is deeply loved by disciples. He can be called a role model for Chinese traditional culture teachers.” Note: Hook, pick, put together, and wipe: fingering method of playing the guqin; “Remembering Old Friends”: famous guqin songs; Cinema Komiks Qao Gong: surnamed Zheng, name Yonghua, name, and name Qixian. The author’s ancestor Cinema‘s father.
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