Li Yuandong was born in August 1964, a famous person in Mao, Guangdong. He is currently the president of Guangdong Calligraphy Court, a national first-class artist, a representative of the Ninth and Tenth National Congress of the China Federation of Literary and Art Circles, a director of the National Calligraphers Association, a member of the 4th China Calligraphers Association, a member of the 5th, 6th and 7th running script professional committee of the Chinese Calligraphers Association, a member of the Chinese Poetry Society, a member of the Ninth, Tenth, Eleventh and Twelfth National Committee of the Guangdong Provincial CPPCC, a member of the Literature and History Committee of the Guangdong Provincial CPPCC, a librarian of the Guangdong Provincial Literature and History Museum, and a vice chairman of the Guangdong Calligraphers Association. He was appointed as a visiting professor and graduate supervisor of many universities such as Guangzhou Academy of Fine Arts, Jinan University, Guangdong Technical Normal University, and Guangzhou University.
Calligraphy works won the second prize of the first national running and cursive script exhibition, and the sixth national calligraphy and seal carving exhibition of middle-aged and young people won the award; they entered the fifth, sixth, seventh and eighth national calligraphy exhibition, the seventh and eighth national calligraphy and seal carving exhibition of middle-aged and young people, the “Hongpin Maple” contemporary calligraphy nomination exhibition of 100 famous masters writing beautiful Chinese calligraphy, the “National Backbone” celebrated the victory of the 19th National Congress of the Communist Party of China, the national calligraphy exhibition, the contemporary calligraphy master system engineering·The National Five Hundred Calligraphy Quality Exhibition, the works exhibition of contemporary Chinese running and calligraphy masters, the second “Weng Tong Award” calligraphy exhibition; We are invited to participate in the third national calligraphy critic nomination exhibition, the “Ten Schools of Running and Cursive Exhibition” national series exhibition, and the national running calligraphy master nomination exhibition, etc. We have been the judges of various series of calligraphy exhibition competitions organized by the Chinese Calligraphers Association, the fifth national couplet calligraphy exhibition, the “Lady Xian Award” of the National Calligraphy Art Competition, the first national elderly calligraphy exhibition, the third national calligraphy fan exhibition, the “China Burial Crane Award” national calligraphy works exhibition, the second national album calligraphy exhibition, and the fourth national cursive calligraphy exhibition.
In September 2014, the “Traveling Eyes” Li Yuandong’s calligraphy art exhibition was successfully held. He was named the leading talent in Guangdong Province’s propaganda, ideology and culture in 2015. He was elected as the “Top Ten Figures of the Year of Chinese Calligraphy Cross-Century 2011”. He won the “Lanting Zizi Award” (one of the Three Nationals in the Country), “Contribution Award to Commemorate the 30th Anniversary of the Founding of the Chinese Calligraphers Association”, “National May Day Culture Award”, the “Outstanding Contribution Award” of the Guangdong Federation of Returned Overseas Chinese in 2009, the “Outstanding Organization Award” of the Guangdong Federation of Returned Overseas Chinese in 2010, and the “Guangdong Lu Xun Literature and Art Award”.
Enjoy the public welfare of calligraphy, cultivate calligraphy talents, and actively participate in volunteer service activities. In recent years, calligraphy works have been donated to more than 20 social charities and groups, raising more than 20 million yuan, and donating them all to charity; organizing and planning calligraphy talent training and calligraphy on campus charity activities, organizing and planning more than 30 national calligraphy sprint classes and short training classes, the sixth session of the calligraphy advanced research class of Guangdong Calligraphy Academy, Guangdong CalligraphyThe college’s calligraphy advanced study course has five teaching points (Shantou, Meizhou, Zhuhai, Maoming, Qingyuan) and the first calligraphy tutor class in Guangdong’s calligraphy world, and has trained more than 3,000 Lingnan calligraphy talents, with remarkable results; it organized calligraphers, calligraphy professors, doctoral students, master’s students to visit universities, middle schools and primary schools for more than 100 times.
As a representative of calligraphy artists who exchanged foreign countries, he went to the eight European countries, Australia, the United States, the United Nations headquarters, Sri Lanka, Mauritius, South Africa, Canada, Japan, South Korea, Denmark, Germany and other places to attend calligraphy exchanges and promotion activities and give special lectures on calligraphy art; published the “Contemporary Calligrapher Series – Li Yuandong’s Calligraphy Collection” in total, with five personal monographs; Guangdong TV Station Cinema 1950 witch cloth draw, Hong Kong Asia TV, and Maoming TV Station recorded special interview programs such as “Cultural Pearl River • Spring Breeze and Rain-Calligraphy-Calligraphy Li Yuandong”, “Diligent Calligraphy Art” and “Li Yuandong’s Calligraphy Art in a Foreign Land” and broadcast themed.
Regular script screen 236cm×52cm×4
Remembering Teacher Wang Chucai
Explanation:
Showing the poems of Lingnan Peach and Plum Spring, and the withered vines and ancient trees are innocent.
A life of knowledge is still far away, but the calligraphy world has not yet been revealed for 30 years.
You can understand the wonders of Binhong and the mountains and rivers, and you can follow Mr. Ruan’s temperament and relatives.
Specialize in studying and devote yourself to fame and fortune, and your art is vast and chaotic.
Shen Yi Junxiong, Strong and Honest
——A Brief Introduction to Mr. Li Yuandong’s Calligraphy Art
Western Chinese
Mr. Li Yuandong is one of the famous contemporary masters I have always paid attention to. There are two reasons for paying attention to him: one is the direction and pattern he represents in contemporary Weibei innovation; the other is his achievements and height in big-brand creation.
The stele was flourished since the Qing Dynasty and was vigorously promoted by Kang Youwei and others. It has flourished for more than a hundred years and has emerged in many famous masters. From Zhao Zhiqian to Sha Menghai, from Zhang Yuzhao to Li Shutong, there are diverse styles and unique styles. It has become a major calligraphy art school that is invincible to the calligraphy of calligraphy, which also shows that the stele studies do have inexhaustible artistic resources. However, since the late century, epigraphy has seemed to have been silent, with few big ones.Drawhome and new styles are available. In the past forty years, the calligraphy name is Revival. However, compared with the enthusiasm of calligraphy and the achievements made in seal and clerical studies, there is not much new inspiration in stele studies, and there is less creation in copying. Only Mr. Sun Boxiang can be regarded as the one who has established himself in the world. The most accomplished calligrapher of his successor is Mr. Li Yuandong.
Mr. Li Yuandong inherited his teacher and used “Shiping Gong” and “Zhang Menglong” as the basis, and used the clumsy and thick square brush as the style tone to express a melancholy charm. This is a distance from the Weibei masters since the Qing Dynasty, such as Zhang Yuzhao, Zhao Zhiqian, Wu Changshuo, Kang Youwei and others. But Li Yuandong showed his own characteristics on the basis of his master. There are mainly three aspects:
First, Li Yuandong’s approach is not limited to “Zhang Menglong” and “Shiping Gong”. It is not difficult to see that he has also practiced many Northern Wei tombstones and calligraphy of scriptures. The diversity of learning makes his brushwork richer. The use of the pen is based on the square pen and some elements of the round pen are added. Reduce the severity of the pen with the side tip and increase the harmony of the pen with the center tip, making the lines in his pen heavier and richer tension and connotation. Although this is also reflected in Sun Bolao’s writing, Li Yuandong is obviously more conscious, bolder, and more effective.
Cursive script screen 180cm×45cm×2
Looking from the horizontal, it looks like a ridge and a side, with different heights and heights.
I don’t know the true face of Mount Lu because I am in this mountain.
——The words come from Su Shi’s “Inscription on the West Lin Wall”, which Xi Jinping quoted in articles such as “Escape from Poverty, The Light of Eastern Fujian – A Brief Thought on Cultural Construction in Eastern Fujian”
Second, Li Yuandong’s Wei stele is unconventional, lively and lively, with no changes, showing a clear tendency to be in running script. When the aesthetics of modern calligraphy were influenced by many aspects, it showed a trend of breaking traditional barriers and integrating various styles into reference. For example, the cursive transformation of seal script and clerical scripts, etc. The Wei steles in history are for practical needs and are all regular script. How to integrate this style of calligraphy with other styles such as cursive script is an important topic facing contemporary calligraphers. Looking at the contemporary calligraphy world, many people have made useful explorations in this regard, and Li Yuandong is one of them. It is worthy of praise that Far East can accurately grasp direction and measurement with its profound skills and keen insight. Therefore, although his Wei stele has a strong sense of cursive style, it makes people feel just right and will never lose the characteristics of Wei stele.
Third, the Weibei calligraphy in the Far East has a very distinctive personality. This fully reflects the artistic concept of Far East writing about the heart with calligraphy. Although the Far East has profound skills, his calligraphy creation has not deliberately expressed his skills at all.0 cloth drawThe twisting and artificiality of force is a kind of freedom of both mind and hands, and forgetting both the self and the freedom of both the body. Everything is like flowing clouds and flowing water, and it will naturally be natural. This is a very high state.
Mr. Xuyu proposed the concept of “Jin Kai” a few years ago. What is Jin Kai? Of course, everyone will have different understandings. But I think that using regular script to promote personality and subjective spirit should undoubtedly be the main meaning of regular script. I think Mr. Li Yuandong’s Weibei calligraphy can be said to be a style of Jin Kai!
Since the revival of calligraphy, cursive script has achieved great achievements, with many famous artists and diverse styles. Especially the cursive script, known as the “crown pearl of calligraphy art”, are many outstanding famous artists. There are two examples of cursive script: one way is to take Zhang Xu as the priest, use the pen to lift and press, and open and close; one way is to take Huaisu as the teacher, and pave it purely with lines, and the center is dominant. Huaisu has many criticisms in history and theory, which is called “different and savvy”. However, Zhang Xu rarely criticized him along the way. What is a bit regrettable is that most people who write big scripts in contemporary times are the patriarch Huaisu, while fewer people who follow Zhang Xu are, because Zhang Xu is more difficult along the way. Mr. Li Yuandong’s big cursive works belong to Zhang Xu, including Sun Guoting, Huang Tingjian, and Wang Duo. Sometimes he uses some Wei steles and brushes, so his cursive script is very rich. Looking at his works, they are full of unrestrained spirit of Dionysia, but their use of the pen to lift and press and turn are meticulous, and every stroke is in place, without any vagueness. Mr. Liu Zhengcheng said that the cursive script in the Far East was between Wang Duo and Yu Youren. This evaluation makes sense. It can be said that his cursive calligraphy is as strong as Wang Duo, and his pen is as steady and solid as Yu Ren.
Cursive script central hall 220cm×100cm
Morning writing is like a song, and the ten years of running and cursive script exhibition (Bingshen FuKomiks 1960 witch cloth drawzhou exhibition)
Explanation:
Meeting with each other in the eight Fujian (East Yue) and singing together, and for ten years, we have been in the same boat as the Mo Forest.
The snow brings the firewood and the article is interesting, and the sunny farms and rain makes the arts and the paths to read.
It is hard to break the fragrance of love, but I have long been holding the reputation and dreaming.
The pen is written on the piano and the hill needs to be (law) ancient, and the love is connected to the sea and dai year by year.
Weibei and Dacao are two different styles of calligraphy that are absolutely incomicmov. The difficulty of combining the two is conceivable. But Mr. Far East advanced to the point of difficulty and successfully combined the two, and his style was very unified. Its Wei stele has obvious grass-like characteristics, which is lively and lively; while its large grass is made of pens with a strong and erect pen, like a cone painting of sand.It also has a strong sense of Wei stele. The combination of the two is so perfect and natural, I think it is related to the character of the Far East. Truthfulness, simplicity, generousness and grandness are the two prominent characteristics of Far Eastern personality. In his works, it is expressed as a unique personality style that is both simple, thick, bold and elegant.
Mr. Li Yuandong is by no means a craftsman calligrapher who can only write (although there are many such calligraphers at present). He has a very deep traditional cultural foundation. Far East sent me his ancient poem “ask for advice”. I was very surprised after reading it. His poems not only have lofty ideas and fresh styles, but also have very strict rhythms and very standardized rhymes. What is particularly commendable is that the lyrics and sentences of his poems are elegant and novel, and the use of allusions is also very appropriate and precise, and it is considered to be excellent among contemporary calligraphers. For well-known reasons, people of the age of Li Yuandong have received less traditional education. Many famous calligraphers, even calligraphers who are well-known for their academics, show their timidity when writing ancient poems. And being able to achieve such achievements in the Far East must be the result of hard work and self-study. I have said: Chinese characters and tradition Cinema 1950 witch cloth draw culture is the two cornerstones of calligraphy art, and a calligrapher who lacks one will not be a qualified calligrapher. We are delighted to see that Mr. Li Yuandong has reached a good level in both aspects. Appreciating his calligraphy and evaluating his poems can’t help but be amazed by the contemporary calligraphy world that has reached such a height!
Mr. Li Yuandong is not only an outstanding calligrapher, but also an excellent calligraphy organization worker. He was in charge of the Guangdong Calligraphy Court for many years and initiated the Cinema 1950 witch cloth draw organized many large-scale calligraphy activities with wide influence across the country, which received unanimous praise from the national calligraphy community. At the same time, he has repeatedly invited contemporary famous artists to Guangdong to give lectures and preach, bringing the latest calligraphy information, academic dynamics and aesthetic concepts to Guangdong, benefiting Guangdong authors a lot, thus promoting the cultivation of Guangdong’s calligraphy talents and the development of calligraphy career. At the same time, Far East is also enthusiastic about public welfare and actively participates in and promotes the cause of calligraphy serving the society. Using calligraphy as a medium to make good friends, Guangdong’s calligraphy charity has made it popular, thus winning widespread respect from society.
Liu Xizai’s “Book Introduction” says: “High rhyme, deep affection, strong and powerfulCinema 1950 witch cloth drawAura, one cannot be used as a book. “He also said: “The books of wise men are warm and mellow, the books of heroes are calm and determined, the books of abnormal scholars are successful, and the books of talented men are beautiful. “The calligraphy of the Far East is both a talented man and a beautiful and beautiful person. It is a masterpiece of high rhyme, deep affection, strong and noble character. With its unique personality, it stands well in the contemporary bookstore!
Babaylan 1990 cloth drawRunning script strip screen 138cm×69cm×8
Don’t praise the good color, only the clear air fills the universe.——The words come from Wang Mian’s “Ink Plum”, which Xi Jinping quoted in his speech meeting with Chinese and foreign journalists of the 19th CPC Central Committee.
The seminar on “Hymns of the New Era and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” was successfully held
This newspaper reported On the morning of April 29, 2018, the “New Era Song and Spring View of Lingnan – Li Yuandong Calligraphy Art Exhibition” supported by the Publicity Department of the Guangdong Provincial Committee of the Communist Party of China and the Literary and History Committee of the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference, the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphy Association, the Calligraphy and Seal Academy of China National Academy of Painting, and the Guangdong Art Museum. The seminar on “New Era Songs and Spring Views of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” supported by the media was held in Guangzhou.
Under the auspiciousness of Zhang Guiguang, chairman of the Guangdong Calligraphy Association, the exhibition and seminar were successfully held. More than 30 famous calligraphers, calligraphy theorists and calligraphy critics from all over the country, Wu Dongmin, Song Huaping, Mao Guodian, Liu Jinkai, Wang Chunxin, Zhang Xuguang, Zhou Junjie, Jiang Shoutian, Zhang Guiguang, Zhou Wenzhang, Zhang Ge, Yan Yiduan, Ou Guangyong, Lian Deng, Cai Shunong, Qi Gang, Li Shijun, Qiu Shikun, Qi Guhua, Wu Xue, Zhang Weidong, Wang Houxiang, Ni Wenhua, Fu Yacheng, Liu Yantao, Luo Yiqun, Wang Zhongyong, Chen Zhiping, Wang Zhimin, Lin Feng, Li Yuegui, Li Qingwei, Xu Hongji, Fan Chunqi, Jin Jijun, Chen Kai, Zheng Rongming and other experts all expressed their insights, with rich topics and enthusiastic speeches. The experts conducted in-depth discussions on the theme and content of the exhibition – General Secretary Xi Jinping’s allusions – using allusions by Jin Yan and Li Yuandong’s own poems. The guests unanimously agreed that the theme of the exhibition is in line with the theme of the times and is an important attempt to practice the spirit of General Secretary Xi’s literary and artistic speeches; Li Yuandong used the calligraphy creation concept of the integration of steles and calligraphy, and the academic topics such as “Northern Stele and Southern Stele” that caused it, provided new inspiration for the creation of calligraphy in Lingnan and even the whole country.
Site of the seminar
“Hymns of the New Era and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” was grandly opened at the Guangdong Art Museum
Guangdong News
This newspaper reported that on the afternoon of April 29, 2018, the Propaganda Department of the Guangdong Provincial Committee of the Communist Party of China and the Guangdong Provincial Committee of the Chinese People’s Political Consultative ConferenceThe Literature and History Committee is the guiding unit, the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphers Association, the Calligraphy and Seal Carving Academy of the National Academy of Painting, and the Guangdong Art Museum are the organizers, and the Guangdong Calligraphers Association and the Guangdong Calligraphy Academy are the organizers; the opening ceremony of the “New Era Praise and Spring Look of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” supported by the media was successfully held at the Guangdong Art Museum.
Li Yuandong’s thanks speech at the opening ceremony
The important leaders and guests attending the event were: former commander and general of Lanzhou Military Region Li QianKomiks 1960 witch clothes drawYuan, former vice president of the National Academy of Administration and director of the Chinese Calligraphers Association, Deng Weilong, former deputy director of the Guangdong Provincial People’s Congress and chairman of the Guangdong Federation of Trade Unions, former deputy commander of the Guangzhou Military Region (lieutenant general) Ouyang Jingu, former lieutenant general of the Southern Theater Command, Liang Suiqun, former deputy commander of the Guangzhou Air Force, Wang Chunxin, former director of the Chinese Calligraphers Association and former commander of the Armed Police Corps (major general) Zhang Zhonghui, former deputy political commissar (major general) of the Guangdong Military Region, Dai Huan, deputy commander of the Hunan Military Region, Xiong Yan, former deputy director of the Political Department of the Guangzhou Military Region (major general) Xiong Yan, former director of the Teaching and Research Department and doctoral supervisor (major general) Huang Bin, former director of the Military Affairs Mobilization Department of the Guangzhou Military Region Command, Yang Zhaoguo, etc.
The guests outside the province include: Mao Guodian, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Jiangxi Calligraphy Association, Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hainan Calligraphy Association, Liu Jinkai, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hebei Calligraphy Association, Song Huaping, Vice Chairman of the Chinese Calligraphy Association and Vice Chairman of the Henan Federation of Literary and Art Circles, Li Shijun, Director of the Chinese Calligraphy Association and Chairman of the China Calligraphy Media Group, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Secretary-General of the Chinese Artists Association, Zhou Junjie, former Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Chinese Calligraphy Association, and Chinese Calligraphy Association. Wu Xue, the Associate Director and Chairman of the Anhui Federation of Literary and Art Circles, Liu Wenhua, the Director of the China Calligraphy Association and former Director of the Training Center of the China Calligraphy Association, Zhang Ge, the Director of the China Calligraphy Association and Chairman of the Heilongjiang Calligraphy Association, Qi Gang, the Director of the China Calligraphy Association, Deputy Director of the Running Sketch Committee, and Chairman of the Chongqing Calligraphy Association, Wang Houxiang, the Director of the China Calligraphy Association and the Member of the Cursive Sketch Committee, Liu Jingwen, the Running Sketch Committee of the China Calligraphy Association, Fu Yacheng, the Seal Script Committee of the China Calligraphy Association and the Visiting Researcher of the China Calligraphy Association, and Liu Yantao, the Seal Script Committee of the China Calligraphy Association.
The guests in the province include: Jiang Haiyan, former deputy secretary-general of the Guangdong Provincial Government, Wang Yiyang, director of the Guangdong Provincial Department of Culture, Cheng Yang, director of the China Calligraphy Association and secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Bai Jie, secretary of the Party Group and director of the Guangdong Provincial Radio, Television, Press and Publication Bureau, Liu Sifen, former chairman of the Guangdong Federation of Literary and Art Circles, Xu Qinsong, vice chairman of the China Artists Association and chairman of the Guangdong Federation of Literary and Art Circles, Fang Jianhong, director of the Guangdong Provincial CPPCC Literary and History Committee, Wang Shaoqiang, director of the Guangdong Artists Association, and former Guangdong ProvinceLao Wenhao, Deputy Director of the Organization Department of the Commission, formerly Deputy Director of the Guangdong Provincial Museum and famous scholar expert Wang Guichen, former Vice Chairman of the China Calligraphy Association and Honorary Dean of the Guangdong Calligraphy Court, Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, Professor and Doctoral Supervisor of South China Normal University, Li Jinkun, Chairman of the Guangdong Art Association and Dean of the Guangzhou Academy of Fine Arts, Zheng Xiancao, Deputy Director of the Guangdong Provincial Department of Finance, Zhang Ruwen, former Deputy Director of the Eastern Provincial Department of Civil Affairs, Zhou Jun, Deputy Director of the Organization Department of Guangzhou Municipal Party Committee, Chen Zhongqiu, former Secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, href=”https://comicmov.com/”>Babaylan 1990 cloth drawQu Kejun, deputy secretary of the Party Group of Guangdong Federation of Literary and Art Circles, Lin Weijian, former president of Guangdong Socialism College, former chairman of Guangdong Federation of Social Sciences, Tian Feng, director of the Cultural and Historical Committee of the Provincial CPPCC. draw, former secretary of the Party Group and chairman of the Provincial Federation of Returned Overseas Chinese, Li Pengcheng, former secretary of the Party Group and chairman of the Guangzhou Federation of Literary and Art Circles, Lu Chengzhong, former inspector of the Guangdong Federation of Literary and Art Circles, Ni Qian, director of the Propaganda Department of Maoming Municipal Party Committee, Luo Lijie, former chairman of the Shenzhen Federation of Literary and Art Circles, Rong Tiewen, former secretary of the Shanwei Municipal Party Committee, Luo Yanqiu, former secretary of the Qingyuan Municipal Party Committee, Deng Guangrong, former deputy secretary of the Qingyuan Municipal Party Committee, Li Bin, director of the Cadre Department of the Propaganda Department of the Guangdong Provincial Party Committee, Xu Yongbo, director of the Literary and Art Department of the Guangdong Provincial Department of Culture, Tang Guohua, director of the Literary and Art Department of the Guangdong Provincial Department of Culture, Xie Liuqing, head of the Discipline Inspection Group of the Guangzhou Municipal Commission for Discipline Inspection, Li Jingyan, member of the Party Committee and director of the Guangdong Provincial Department of Justice, Wu Jialian, secretary of the Party Committee of Guangdong Provincial Vocational College of Literary and Art, Babaylan 1990 clothes drawJie Ye, Secretary of the Party Leadership Group and Director of Guangzhou Municipal Local Taxation Bureau. Advisors of Guangdong Calligraphers Association: Lian Deng, Chen Chusheng, Ou Guangyong, Liang Dingguang, Zhou Guocheng, Zhou Shujian; Yan Yiduan, Director of the China Calligraphers Association, full-time vice chairman and secretary-general of the Guangdong Calligraphers Association, Qiu Shikun, Director of the China Calligraphers Association and Vice Chairman of the Guangdong Calligraphers Association, Vice Chairman of the Guangdong Calligraphers Association: Wang Zhongyong, Xu Hongji, Li Xiaoru, Chen Chunsheng, Chen Qinshuo, Zhou Hanbiao, Qi Guhua, Lan Guanghao, Cai Zhaobo; Members of the presidium of the Guangdong Calligraphers Association: Wang Zhimin Babaylan 1990 clothes draw, Wang Daoguo, Li Qingwei, Shen Yongtai, Chen Zhiping, Ni Kuan, Huang Zhixiong, Liang Xiaozhuang; Fan Chunqi, Vice Chairman of the Hong Kong Branch of the China Calligraphy Association, Li Feihong, Deputy Secretary-General of the Guangdong Calligraphy Association, Jin Jijun, Vice President of the School of Fine Arts and Master’s Supervisor of Guangdong Technical Normal University, Wu Huiping, Deputy Director of the Research Department of the Guangzhou Academy of Fine Arts; Representatives of calligraphy media include: Jiang Shoutian, Member of the Academic Committee of the China Calligraphy Association and Deputy Editor-in-Chief of Calligraphy Guide, Li Yuegui, Vice Chairman of the Heilongjiang Calligraphy Association and President of Youth Calligraphy Newspaper, Cai Shunong, Chief Reporter of the Arts Newspaper, Zhang Xin, Assistant President of China Calligraphy Newspaper, Director of the Editorial Center and Editor of the China Calligraphy Newspaper, Liu Guang, Editor of the China Calligraphy Newspaper, Director, Editor and Reporter of the China Calligraphy Publishing and Media Office, Qi Yuxin, Director of the Chinese Calligraphy Forum, and Che Dilin, Editor of the China Calligraphy Network. The Chairman and Vice Chairman of Calligraphy Association of all cities in the province are: Wu Xuexiang, Feng Wenqin, Yu Naigang, Zhou Jun, Feng Yongsheng, Xie Jiahua, Zhang Yulin, Zhang Wenfeng, Zhu Qiming, Song Huannan, etc.; celebrities in the social enterprise industry include: Feng Baiqiao, Chairman of the China Cross-Strait and Four Regions Cultural Exchange Association, Liu Yuhong, Vice President of Ball Group, Guan Pengcheng, Secretary of the Party Committee of Sinopec South China Company, Liang Zhongjing, Director of Jinan University, Li Shunfang, former Deputy Inspector of the Guangdong Provincial Department of Civil Affairs, Huang Yiping, Deputy General Manager of Guangdong Zhongjun Entrepreneurship Service Co., Ltd., Yang Xiaoling, First Vice Chairman of Leshan Hall, Hong Kong, and Xingda, Guangdong Province Babaylan 1990 Ye Jinfu, founder of cloth draw Group Co., Ltd., Li Rirong, chairman of Guangdong Rongji Group, etc.
Card script Zhongtang 248cm×129cm
The cultural fortune is connected with the national fortune, and the cultural tradition is connected with the national pulse.
——Xi Jinping: “Speech at the opening ceremony of the Tenth National Congress of the China Federation of Literary and Art Circles and the Ninth National Congress of the Chinese Writers Association”, People’s Daily December 1, 2016
The above guests and calligraphers and scholars from all over the country, professors, students of calligraphy majors in universities, and calligraphy enthusiasts, totaling more than 1,000 people participated in the full-day event.
The opening ceremony was co-hosted by Yan Yiduan, director of the China Calligraphy Association, full-time vice chairman and secretary-general of the Guangdong Calligraphy Association, and Sheng Nan, a famous host of Guangdong TV. Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association, Cheng Yang, Secretary of the Party Group of Guangdong Federation of Literary and Art Circles, and Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, delivered speeches respectively. They all expressed warm congratulations on the successful holding of the exhibition, praised the content of the exhibition’s interpretation of classics, and fully affirmed Li Yuandong’s artistic attainments in calligraphy creation, poetry writing, etc.
LiThe Far East gave a thank-you speech, profoundly elaborating on learning from General Secretary Xi’s Jin Yan and using allusions, and expressing sincere gratitude to the times, society, teachers and good friends. While analyzing the exploration concept of the integration of creative content and inscriptions and calligraphy, he expressed his willingness to continue to work hard and unite with his colleagues, and make greater contributions to the development of Guangdong’s calligraphy world.
This exhibition is a link in the Guangdong Provincial Propaganda Department’s highlighting talent support and development plan. “Lingnan Spring View – Li Yuandong’s own calligraphy works of calligraphy written by his own poems and couplets” was published by Lingnan Fine Arts Publishing House at the same time. Shen Peng, former chairman of the Chinese Calligraphy Association, wrote “Lingnan Spring View” and General Li Qianyuan wrote “Hymns of the New Era”. Zhang Hai, former chairman of the Chinese Calligraphy Association, wrote congratulations, Chen Yongzheng, former vice chairman of the Chinese Calligraphy Association, and prefaced the works of Western Chinese writings by members of the Academic Committee of the Chinese Calligraphy Association. Guangdong TV also specially recorded a special film “Li Yuandong’s Calligraphy Art” and gave a comprehensive and multi-angle push display of this event. It can be seen that the exhibition has a great masterpiece and a clear orientation of poetry and calligraphy, which is of great inspirational significance at the moment.
There are nearly 100 works exhibited in this exhibition, in various forms, either two-meter-long books, or a simplified sketch, or a quiet Wei stele. They fully display the allusions and couplets of General Secretary Xi Jinping’s Jin Yan’s use of allusions and Li Yuandong’s self-written poems and couplets that sing the spirit of the new era, show the style of the new era, and describe the magnificent rivers and mountains. This exhibition comprehensively demonstrates Li Yuandong’s unremitting exploration in interpreting classics, poetry, songs, calligraphy creation, etc.
Li Yuandong, as a well-known calligrapher in Lingnan who is active in the country, studied under Wang Chucai, Ou Guangyong, Sun Boxiang and others. Over the past 30 years, he has done a lot of effective work in calligraphy creation, talent training, public welfare and benefiting the people, and has made important contributions to Guangdong’s literary and artistic undertakings. He is a literary and artistic worker and calligrapher with outstanding comprehensive literacy in the contemporary Chinese calligraphy world.
This exhibition ends on May 5th.
Regular script Doufang 120cm×120cBabaylan 1990 cloth drawm
On Kang Youwei Explanation:
A dream of the bus, the 100-day Reform Movement will go to Maicheng. The lush trees are passed down through the world, and the sound of the cold year is alone.
The book of Datong has a high meaning, and the art boat conveys the retro love. Whoever discusses the light of the South China Sea? Right and wrong, merit and demerit will be clearly distinguished.