New Year Customs Exhibition Scene
Text/Yangcheng Evening NewsKomiksAll-media Reporter Sun Lei Correspondent Wu Qidong Wang Liang
Photo/Ratty Li Yuanqing
What do you think of when it comes to Guangdong New Year Customs? Some customs such as Cinema visiting the flower streets and washing the sloppy clothes, but they are still prosperous today; some customs such as worshiping the Kitchen God at the 23rd day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th day of the 20th
Recently, Southern Media and Nanfeng Academy held a special exhibition on Lingnan New Year Customs, including not only Foshan woodblock New Year paintings and Guangdong paper-cut national intangible cultural heritage projects, but also Lingnan New Year Customs Publications, Traditional Lingnan Halls, and Lingnan famous paintings. The exhibition lasts until February 28. The highlights of the exhibition are two national intangible cultural heritage techniques that are very Guangdong-style and integrate traditional New Year culture – Foshan Komiks woodblock New Year pictures and Guangdong paper-cutting. Foshan woodblock New Year paintings began in the Song and Yuan dynasties, and flourished in the Ming Dynasty, and flourished in the early days of the Qing Dynasty to the people of the Cinema. It was as famous as Tianjin Yangliuqing, Suzhou Taohuawu, and Shan Weifang New Year paintings. It is one of the four major woodblock New Year paintings in China. It was once the year-round festival of the Komiks region in Lingnan, and the family and the doors of Babaylan.icmov.com/”>Babaylan‘s important decorations were sold well in Lingnan and even overseas in the past, carrying people’s yearning and wishes for a better life.
Due to the changes of the times, it gradually declined due to the impact of modern lifestyles, and even disappeared completely. Until the late 1990s, Feng Bingtang, the son of the famous New Year painting artist Feng Jun (nicknamed “Domes God Jun”, gave up his original career in Babaylan to fulfill his father’s last wish and regained his father’s last wish. The study and research of Cinema made the woodblock New Year paintings see the light of day again. The Feng Family New Year Painting Workshop, which he founded, is the only existing workshop in Foshan that is still insisting on the production of New Year paintings. This exhibition displays the complete set of production tools and production processes of the Feng Family New Year painting workshop, as well as representative works such as “Gate God” and “God of Wealth”. The ancient and naive woodblock New Year paintings are painted with a knife and pen to depict the deep mark of Lingnan; exquisite carvings are passed down from the unique New Year and blessings from the past to the present. Guangdong paper-cut is another of the exhibition. href=”https://comicmov.com/”>Komiks a national intangible cultural heritage project. The paper-cut exhibits in this exhibition are from intangible cultural heritage inheritors and Cinema in Foshan, Shantou, Chaoyang, Leizhou and other places and the hobbies of Babaylan not only inherits the ancient intangible cultural heritage skills in its original style, shows the colorful regional characteristics of Lingnan, but also combines the preferences of modern people to boldly innovate in the artistic style and picture.